THE OPPORTUNITY

OUR INVESTOR'S INTERESTS FIRST

Our investment opportunities are designed with your best interests in mind.
Sandalwood Entertainment operates in accordance with the principals of the Australian Investment Council's 'Code of Private Equity Governance and Code of Conduct 2017'

TIMES ARE CHANGING

Historically, the screen entertainment industry matured to the point where the studios and distributors merged into a few big players that controlled that market. Today, fast internet and accessible streaming services have broken that stranglehold. 
The success of early market disruptors is being emulated by tech companies outside the entertainment market, such as Amazon and Google. Traditional studios are now playing catch up through platforms such as Disney+ and Foxtel Now, which brings us to a never-before-seen of era of opportunity…

Apple will invest $6 billion annually to purchase new content.

Amazon is estimated to have a budget of $6 billion for new content. 

Netflix announced a budget of $17 billion to purchase new content.

SO, WHAT DOES THIS MEAN FOR YOU?

The competition for original content is fierce.

It is a market for content creators.

It is a market for investors. 


Sandalwood Entertainment has been created to enter this market as an Australian developer of content. With new big players emerging and looking for exciting original film content, now is the time to invest. 

HOW YOU INVEST IS UP TO YOU

Option one: 
Sandalwood Shares

Shares in the Sandalwood investment fund are currently fully allocated. To register interest in new investment opportunities, contact us.
Option two: 
Production Direct Investment

We have a number of scripts ready to enter formal development. Reach out to invest directly in a single production.  contact us. 

Option three: 
Foreign Investment Partner 

This investment model is designed to provide opportunity for investors in foreign markets. If this sounds like a good match, contact us. 

Option four: 
Investment Fund 

The Little Book of Horrors is an investment fund designed to provide exposure to several productions to further reduce risk and access long term income streams

 contact us. 

INVESTOR INSPIRATION

A case study highlighting the untapped potential of upcoming talent in Australia
and 
what success looks like. 
One of the most commercially successful producer, writer and director in the world developed his craft is Australia. In 2018 he directed Aquaman for Warner Bros. which grossed US $1.15 billion.
But it wasn’t an easy path to success. 
As a new graduate of the Victorian College of the Arts, in Melbourne, James was unable to get any production company in Australia to take his low budget horror seriously. That horror project was Saw; a film that grossed $US103 million on a $US1.3 million budget. It went on to spawn eight films which have now grossed $US976 million worldwide.
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